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	<title>MixAction The Theatre Sound Cue Software</title>
	<link>http://mixaction.com</link>
	<description>Professional Theatre Sound Cue Software For Windows</description>
	<lastBuildDate>Mon, 01 Mar 2010 04:28:39 +0000</lastBuildDate>
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		<title>What Happened To The &quot;TwoCan&quot;?</title>
		<description><![CDATA[
Times change, companies shift their focus to match the needs of their customers.

When we first began developing MixAction we had a variety of business interests.  This changed in 2009 with a decision for us to focus on MixAction Theatre Sound Cue software and our radio broadcasting software package.  Both packages carry the moniker &#8220;MixAction&#8221;.  For [...]]]></description>
		<link>http://mixaction.com/what-happened-to-the-twocan/</link>
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		<title>Theatre Sound Cue Theory &#8211; What&#039;s Reverb?</title>
		<description><![CDATA[While most readers will probably be aware of reverb having been exposed to it in general life – bathroom to Grand Canyon, special effect “reverb units” and it’s abundant use in modern music and records, to use it effectively it’s important to understand it’s nature and the variety of types of reverb that are available...]]></description>
		<link>http://mixaction.com/theatre-sound-cue-theory-whats-reverb/</link>
			</item>
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		<title>Using Audio Software for Theatre Productions</title>
		<description><![CDATA[For most people starting out with pre-recorded audio, for use in theatre productions, it’s important that the basics are easily accessible with a minimum of fuss.  At the same time the more experienced and professional are increasingly turning pre-recorded theatre sound cues into part of the art of theatre.]]></description>
		<link>http://mixaction.com/using-audio-software-for-theatre-productions/</link>
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		<title>Crash, Boom, Bang! The Most Distinctive Sounds in Movie History &#8211; And Why Theatre Needs Them</title>
		<description><![CDATA[And a big part of the leap in movie quality is because of advances in audio technology. Even the most realistically plotted black and white films seemed removed from reality because of their initial lack of sound. But with the arrival of advanced audio techniques to the scene, movies would never be the same again – and it’s time live theatre caught up!]]></description>
		<link>http://mixaction.com/crash-boom-bang-the-most-distinctive-sounds-in-movie-history-and-why-theatre-needs-them/</link>
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		<title>Screen Shots</title>
		<description><![CDATA[]]></description>
		<link>http://mixaction.com/screen-shots/</link>
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		<title>What Features Do You NOT Want To See?  MixAction Theatre Sound Cue Software &#8211; Beta Soon.</title>
		<description><![CDATA[As most of the low level, complexity is now completed we thought it would be a good opportunity, prior to the first beta tests commencing soon, that we ask you something you hardly ever hear software companies ask.  In face nearly without question they will ask you the opposite.  Yet the question is pertinent as to often the features that end up in a software product are those chosen by the software developers for you.]]></description>
		<link>http://mixaction.com/what-features-do-you-not-want-to-see-mixaction-theatre-sound-cue-software-beta-soon/</link>
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		<title>Even Sound Guys Can Get Stage Fright. Why Am I So Scared? What Can I do? Beginners Advice</title>
		<description><![CDATA[You are not alone if you suffer from what actors have come to  call, in hushed whispers,  stage fright.   It doesn't hit everyone - but it does hit many.  Here's some suggestions on how to deal with it.]]></description>
		<link>http://mixaction.com/even-sound-guys-can-get-stage-fright-why-am-i-so-scared-what-can-i-do-beginners-advice/</link>
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		<title>Studio Monitoring &#8211; Tips On Creating Theater Sound Cue Projects In Advance</title>
		<description><![CDATA[One of the primary purposes behind using a computer for theater sound cue playback is automation and the ability to prepare that automation in advance - at home, at the office or at the studio, or home studio for those of us fortunate enough to own one.However, as much as it solves many problems it can in fact introduce many new ones.  One of these problems is the whole issue of reproduction in terms of the acoustic differences between the location we create a project and the place it's ultimately performed - live theater...]]></description>
		<link>http://mixaction.com/studio-monitoring-tips-creating-theater-sound-cue-projects-advance/</link>
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		<title>MixAction Software &amp; Audio to Release New Version of its Theater Sound and Mixing Software for professional and amateur theater, For Windows 7, MixAction.</title>
		<description><![CDATA[TwoCan Software today announced it will launch the new version of its application, MixAction, to work with Microsoft Windows® 7/Microsoft Windows Server® 2008 R2...]]></description>
		<link>http://mixaction.com/twocan-software-release-version-theater-sound-mixing-software-professional-amateur-theater-windows-7-mixaction/</link>
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		<title>Evolution Of Theater Sound Effects Towards Players And Theater Live Playback Software</title>
		<description><![CDATA[In theater audio the sounds we have to work with have changed drastically.  Before the 20th Century you were pretty much stuck with sound created by people literally making noises off stage, actors getting audibly creative (with often painful results) or musicians.The reasons sound in theater have changed are as much a result of society changing in other areas - cultural - as they are technological.  Clearly recorded sound effects simply weren't possible before the invention of devices to record and playback sound.  To get an inkling as to how sound effects were created - if they used at all - watch the movie "The Night That Panicked America"  which is about the 1930's Orson Welles radio broadcast of War of the Worlds.  It features some radio "sound effect guys" making "live sound effects"...]]></description>
		<link>http://mixaction.com/sound-effects-player-theater-live-playback-software/</link>
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